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Stolen words

by A painful case

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1.
Remember 03:06
REMEMBER By Christina Georgina Rossetti Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.
2.
Invictus 03:04
INVICTUS by William Ernest Henley Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find me, unafraid. It matters not how strait the gate, How charged with punishments the scroll I am the master of my fate: I am the captain of my soul.
3.
WHEN I'M DEAD, MY DEAREST by Christina Rossetti When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale Sing on, as if in pain: And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget.
4.
THE STOLEN CHILD by William Butler Yeats Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. ........ Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than he can understand.
5.
Tragedy 03:43
TRAGEDY by George William (“A. E.”) Russell A man went forth one day at eve: The long day’s toil for him was done: The eye that scanned the page could leave Its task until tomorrow’s sun. Upon the threshold where he stood Flared on his tired eyes the sight, Where host on host the multitude Burned fiercely in the dusky night. The starry lights at play—at play— The giant children of the blue, Heaped scorn upon his trembling clay And with their laughter pierced him through. They seemed to say in scorn of him “The power we have was once in thee. King, is thy spirit grown so dim, That thou art slave and we are free?” As out of him the power—the power— The free—the fearless, whirled in play, He knew himself that bitter hour The close of all his royal day. And from the stars’ exultant dance Within the fiery furnace glow, Exile of all the vast expanse, He turned him homeward sick and slow.
6.
THE FACE OF ALL THE WORLD IS CHANGED I THINK by Elizabeth Barret Browning The face of all the world is changed, I think, Since first I heard the footsteps of thy soul Move still, oh, still, beside me, as they stole Betwixt me and the dreadful outer brink Of obvious death, where I, who thought to sink, Was caught up into love, and taught the whole Of life in a new rhythm. The cup of dole God gave for baptism, I am fain to drink, And praise its sweetness, Sweet, with thee anear. The names of country, heaven, are changed away For where thou art or shalt be, there or here; And this ... this lute and song ... loved yesterday, (The singing angels know) are only dear, Because thy name moves right in what they say.
7.
POETRY OF DEPARTURES by Philip Larkin Sometimes you hear, fifth-hand, As epitaph: He chucked up everything And just cleared off, And always the voice will sound Certain you approve This audacious, purifying, Elemental move. And they are right, I think. We all hate home And having to be there: I detest my room, It's specially-chosen junk, The good books, the good bed, And my life, in perfect order: So to hear it said He walked out on the whole crowd Leaves me flushed and stirred, Like Then she undid her dress Or Take that you bastard; Surely I can, if he did? And that helps me to stay Sober and industrious. But I'd go today, Yes, swagger the nut-strewn roads, Crouch in the fo'c'sle Stubbly with goodness, if It weren't so artificial, Such a deliberate step backwards To create an object: Books; china; a life Reprehensibly perfect.
8.
WHAT I EXPECTED by Stephen Spender What I expected was, Thunder, fighting, Long struggles with men, And climbing. After continual straining, I should grow strong; Then the rocks would shake, And I rest long. What I had not foreseen, Was the gradual day, Weakening the will, Leaking the brightness away, The lack of good to touch, The fading of body and soul, —Smoke before wind, Corrupt, unsubstantial. The wearing of Time, And watching of cripples pass, With limbs shaped like questions, In their odd twist, The pulverous grief, Melting the bones with pity, The sick falling from earth— These, I could not foresee. Expecting always, Some brightness to hold in trust, Some final innocence, Exempt from dust, That, hanging solid, Would dangle through all, Like the created poem, Or faceted crystal.
9.
The enemies 02:56
THE ENEMIES by Elizabeth Jennings Last night they came across the river and
 Entered the city. Women were awake
 With lights and food. They entertained the band,
 Not asking what the men had come to take
 Or what strange tongue they spoke
 Or why they came so suddenly through the land.

 Now in the morning all the town is filled
With stories of the swift and dark invasion;
 The women say that not one stranger told
 A reason for his coming. The intrusion 
 Was not for devastation:
 Peace is apparent still on hearth and field.

 Yet all the city is a haunted place.
 Man meeting man speaks cautiously. Old friends
 Close up the candid looks upon their face.
 There is no warmth in hands accepting hands;
 Each ponders, 'Better hide myself in case
 Those strangers have set up their homes in minds 
 I used to walk in. Better draw the blinds
 Even if the strangers haunt in my own house'.
10.
Perseus 03:26
PERSEUS by Louis MacNeice Borrowed wings on his ankles, Carrying a stone death, The hero entered the hall, All in the hall looked up, Their breath frozen on them, And there was no more shuffle or clatter in the hall at all. So a friend of a man comes in And leaves a book he is lending or flowers And goes again, alive but as good as dead, And you are left alive, no better than dead, And you dare not turn the leaden pages of the book or touch the flowers, the hooded and arrested hours. Close your eyes, There are suns beneath your lids, Or look in the looking-glass in the end room— You will find it full of eyes, The ancient smiles of men cut out with scissors and kept in mirrors. Ever to meet me comes, in sun or dull, The gay hero swinging the Gorgon's head And I am left, with the dull drumming of the sun, suspended and dead, Or the dumb grey-brown of the day is a leper's cloth, And one feels the earth going round and round the globe of the blackening mantle, a mad moth.

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Gwynn - voice
Robert Mascolo - music

mixed by Alfredo De Pietra

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released August 31, 2015

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